Irony and "Old Lady"

A blogger whom I have long read mused about some luxury clothes and accessories she's stored for years but not worn, calling them "old lady/rich lady" pieces: four bags, a pair of shoes, a small leather accessory, and a coat at least forty years old.

She had long intended to work the things into her wardrobe, viewing them as "ironic, or believing that they will convey that (ironic) attitude", and vows to do so now— but suspects that, on the shady side of 60, her style statement may harder to pull off.


I share her reluctance. In a post about attempting irony in attire I said, "I neither understand its stance nor does it summon desire. It's outside my ken; I feel like Dr. Who contemplating a hula hoop." 


I considered the "old lady/rich lady" descriptor. When I see signifiers of wealth from twenty, thirty, forty years ago worn today by someone over age 50 or so, I wonder, What is the story here? I mull a few possibilities: Bygone prosperity? Vintage-clothing collector? 
Held captive somewhere for decades?


The blogger is an intelligent, discerning woman with deep anti-consumerist values. She admires these pieces because they are handsome and well-made—far better than their current versions. They should get out more.


I don't think, though, that they are best worn by most women in the Passage, and tell this story on myself.


"Mrs. Palm Beach"

In 2003, I bought this sumptuous yellow alligator frame handbag at an auction, for a steal. It was a  socialite's trophy from the '70s or '80s, on another planet from my lifestyle—a pom-pom-clipped poodle of an accessory. My arm seemed to have a mind of its own; I waved the lone paddle. A sand dollar nestled in an interior pocket; I imagined the bag at a Palm Beach lunch, carried by a tanned blonde with an apricot manicure.  


I displayed "Mrs. Palm Beach" on a bookshelf; it held small scarves and handkerchiefs. Occasionally I'd think, I really should use this, but always held back— it felt too costume-y. So there it sat for a decade, until I met my son's friend Nicole, whose daily attire is a pompadour up-do, cherry lipstick and 1940s dress. I offered her the bag; Nicole accepted with a blissed-out sigh of pleasure. She carries it with a rockabilly sundress rather than a Lilly shift.


My gesture is not necessarily the answer for the blogger; some of her items carry fond family memories. She might wear her pieces, and have a wholly satisfying experience. 




Certain nostalgic settings support a vintage bag or coat—the old-school strawberry social or Pink Martini concert— but they are presently nonexistent. 


She could slip on the shoes at home, though, perhaps easing into character with a skewer of rumaki and a Sidecar. Irony is optional.







Comments

Mardel said…
This post hits very close to home as I have been contemplating a few items that hit that spot exactly. For me they are items that I once used or wore and have hung onto. But why? Memories? Yearning for something gone? Something else? I am not sure, today, if those luxury items were ever really me, but were perhaps talismans that helped me negotiate a world in which I did not feel fully comfortable. if that is the case I have my answer.
fmcgmccllc said…
I collected an wore items of this type in my late forties and early fifties. Loved wearing them and dressing up. They no longer work and I really need to donate them so others can have the same enjoyment. I will keep the jewelry though, my granddaughter seems to have the same magpie gene.
Duchesse said…
Mardel: Not sure if you saw my post about donating a armful of '90s designer clothes and accessories to an arts association's annual fundraiser sale. I don't miss them one bit. The "why" for me was that they were of the best quality I have ever (and will ever) wear. But they weren't me anymore. Let us know what you do!

fmcgmccllc: I kept the fine jewellery and had it restyled, but divested most of the casual real and costume; two enormous shopping bags to a charity sale where they were appraised first so the church received fair payment. Alas, no daughters. My DIL has one piece that was my mother's but since I have never seen hear wear it, I'm not sure f she really likes it.
Laura J said…
A few years ago and in Toronto at the ballet, one could get away with creative retro dressing—life has moved on from there! No longer wear heels, or strictly tailored clothing — good pieces now tend to be cashmere sweaters or linen summer shirts!
Lynn said…
One of my grandmother's friends gave me several of her terrifically expensive purses that she thought were too young for her. They looked like something the queen would carry. Beautiful leather and finishings, but I felt ridiculous every time I tried to take one out the door. They stayed in my closet for years until a friend who is taller and grander than I am admired them. I was happy to pass them along. She carries them everywhere.
Duchesse said…
Laura J: A woman who worked at Holt's (you might remember her) had a uniform of a simply-cut tunic-length blouse and slim trousers, always solids in arresting colour combinations, bold vintage jewellery and a flaming red up-do. She wore that well into entering the Passage, and, I thought, looked spectacular. But it takes an innate theatricality; her retro pieces were not worn ironically, but rather, in a celebratory spirit.

Lynn: You have me trying to picture something the Queen would carry, yet too young for a friend of your grandmother, but so be it. I agree that stature counts. So does attitude. Nicole owned that bag, and I felt like you, that it belonged to someone else.
Francie Newcomb said…
What in the world am I supposed to do with a real leopard skin scarf that was my aunt's? I could never, ever wear it. It must be from the 1940's or '50's.
Duchesse said…
Francie Newcomb: Here are some ideas: Your local theatre company (professional or community) or a costume house is a good bet as such pieces are used for costumes. In many communities, thrift shops take furs; crafters use fur for various projects and designers like Montréal's Harricana hunt for them there. They use only recycled fur to trim their bags or make earmuffs.)

Some animal sanctuaries take old fur to make bedding. If the piece is in excellent condition and you are OK with someone wearing it, you can give it to that person, or sell on a site like The RealReal. A friend of mine had a pair of fur cuffs made from her mother's scarf and wears them when the mood strikes in her memory. She says she can still smell her mother's Arpege in them.

Leslie M said…
I have a similar alligator frame bag, but in brown. It belonged to my grandmother and it has never been outside on my arm. It carries memories of my 'nanny' wearing it to church, always with a handkerchief, a check for the donation, Certs mints and a pack of cigarettes inside. I thought it was so chic. (I was 6-8 yo) I like the idea of displaying it with scarves or whatnots. Greater the chance of finding someone who admires it and will wear it with pride. Loved the "Mrs Palm Beach" with apricot manicure. Nailed the image!
Duchesse said…
Leslie M: My mother had the brown alligator and shoes to match. When she died (and the bag was then at least 40 years old) a friend of hers shyly said she'd always admired it, so I offered it to her.I have always marvelled at how some things retain their allure for contemporaries even as the rest of the world moves on.
Leslie M said…
“You covet what you can see Clarrise”
Carolpres said…
I do love that you used the phrase "costume-y". I feel that way about so many hats - I've picked them up over the years and worn them sporadically, and now, with the Portugal move coming (September?), I've given a bunch away, keeping only the ones that I can pop on for a rainy day, or an especially sunny one.

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