Life lessons: Making a necklace
"How hard can this be?" |
"Beading is so relaxing", the effervescent Susan said, "and to think that I–a retired investment banker–make pieces that people buy off my neck!"
When a local bead store offered a class that taught how to make a similar necklace–$100 plus materials for a Saturday of "expert instruction in a small class"– I signed on. Like Susan, I would make smart necklaces from interesting beads. I would enjoy my new hobby.
I arrived early, advised to buy materials ahead of class. Why work with cheap stuff, I thought, and bought a strand of green turquoise nuggets with nice matrix and a heap of other beads.
Women beading, better than I |
I loathed it. Despite classmates' convivial coos, I'd never wear the monster.
When Le Duc picked me up, I confessed my three-digit mistake and asked him to drive straight to our jeweler's, where I felt like a kid presenting her Gummy Lump to indulgent, startled parents. They were kind (the colours work) and forthright (the design, not so much).
They'll restyle it, stringing only the turquoise to make a simple, casual piece. All other material goes to Susan.
Dadgummit! The mistake put my head in a vise; at home, I applied two Advil, then a grande... martini.
Rescue: simply strung |
Dadgummit! The mistake put my head in a vise; at home, I applied two Advil, then a grande... martini.
For my investment, I learned that beaders, like knitters and sewers, need an artful eye and surgically precise technique to produce a piece that doesn't look earnestly awful. One misplaced section and the whole deal reads "occupational therapy". Or you rip it up and start again.
While design requires mental energy, fabrication is physically taxing. We did some wire-wrapping that torqued my wrists till my eyes watered. I'm a workbench wimp.
I have renewed respect for the artisans who create beautiful objects with patience and skill. They paid their dues and rose by dint of talent and effort to polished proficiency. Like musicians, they enhance our lives while making labour look like fun.
Now, I'll assess jewelry with a much keener sense of the value of workmanship.
As for the hobby angle, I'm sticking with cooking. At least we (or the cat) can usually eat the mistakes.
Comments
The biggest advantage I've found is that with a little beading perspective I can do my own small repairs to necklaces or bracelets that have problems.
That keeps many items in my box wearable.
This does sound like something I'd enjoy trying, though whether I'd be any good at it is another story.
Marguerite: I would try again but not with such costly materials (which I think were overpriced.)
Splurgie: Pandora is on to something, encouraging "just enough" creativity through their assemble-a-bracelet approach.
Patricia: Assembly is not especially difficult, it's fun- but my necklace was not well-designed, too heavy and busy. I was "guided" by the store owner and the result was something far busier than my taste.
Unfortunately I often encounter jewellery-making and beading enthusiasts sporting the most ghastly, gaudy creations. One actually had a matching collar on her small dog.
I'd never inflict that indignity on my cat Renzo... he needs no further adornment. On the other hand, unlike cooking mistakes, it is hard to poison someone with beads. I would like to take a class in that; I have a background in visual arts and remain good at fine work, though need reading glasses now.
I have a coral choker necklace and would like to restring it with other beads, but don't want to wreck it. Your turquoise beads are very attractive.
That said, it is nice to finish things! Nobody wants to channel Penelope on every project...
I'm all for giving something a go though and learning from the experience, even if the lesson learned not to pursue the subject further. I do think a series of lessons with fixed projects might be better, although in my case that would mean finding a series of lessons where we actually produced something I would want to wear.
Rubi: Yes, I can see that. Though they have to own the equipment. Cutters and several types of pliers, bead board etc would have run me at least another $100, which seems good money after bad. Of course, friends could share, decreasing the cost.
Mardel: I've often given very specific direction to jewelers (and listened to their input. I'm glad I had the experience, and might even try again... sometime.
It is very handy to know how to make repairs and I now carry my beading pliers to my clients when I do their wardrobes, I have repaired many necklaces and earrings over the years with them.
A necklace that weighs as much as a small dog, classic line!
Belle: They are goddesses. Awhile ago I posted a You Tube video of the Pearl Paradise ladies stringing pearls (and chatting while doing it).
Nancy: Do believe I could put a pendant on a cord :)
materfamilias: Anyone who has seen your knitting would join me in saying you are too modest by far. Your sense of colour and harmony- sublime. Am sure if you ventured into beading you would bring the same ability to it.
I certainly admire you for getting started - perhaps try again with something very simple, and just glass beads? I think the pressure of using good turquoise might have been a distraction.
A hundred bucks for this adventure? That's frightening. For about ten dollars you can buy a craft book that shows how to make just about any beaded necklace you please.
Wise move to restring it!
I got into beading jewelry for a while, too. It is relaxing, if you're not trying to build some sort of baroque...thing. After fooling with any number of silver and silveroid trim do-dads, I finally decided the best beaded necklaces are the simplest ones. My favorites have turned out to be a string of lapis beads with a couple of contrasting semiprecious beads worked in, and a string of amethyst beads.
The trick is to get the Sundance catalog and rip off their designs. Most are tasteful and not too annoying.
Looking at online catalogs is a great way to build a design sense, wonderful idea! (Sundance is too sweet and young for my taste,though.) I wanted massed beads, artful multistrands, a sort of Schiaparelli effect. Way out of my depth!